Saturday, July 11, 2015

Flowers, Flowers ... I must have flowers, always and always

It's a quote by the painter Claude Monet, who was also the inspiration for one of my most popular Millefiori Brazilian dimensional embroidery designs, "The Waterlilies of Claude Monet".
I have it posted at my website, http://www.millefiori-be.com/category_16/10/Millefiori-B.E.-Designs.htm, but I'm writing today to share some photographs of my flowers that I've been saving on my computer (some of the flowers I seem to re-photograph year after year). For the perfect occasion. Like now. These are from my garden.
 
This is the stunning Grandpa Ott Morning Glory. I collect the seeds every year and scatter them in the spring. By now, late June and early July, they are climbing everywhere (and blooming in the "morning" only).
This is an orange fuchsia - the little hummingbirds love it - probably because it's right next to my hot lips salvia and the blue salvia that they also crave. I potted it with a dark brown/green coleus. And some cream-colored flowering tobacco (nicotiana) which doesn't show here.
This campanula really should be staked - it's different than my other bellflowers, but still pretty and a perennial, which comes back every year.
...and I found this little 'pretty pincushion' at The B.E. Boutique sales table at our 2015 BDEIG Seminar. She's a real cutie and is nearby whenever I stitch or draw pictures.
Oh! I almost forgot another flower I snapped in June ... these petunias and million bells are the prettiest deep red.
I'll post more flowers fairly soon, hoping they will inspire other embroidery designers as they do me.  ...and her:
Back soon!
Rosalie

 
 





Saturday, July 4, 2015

Jenean's Arizona Memory

My Brazilian dimensional embroidery stitching friend, Jenean, is a snowbird. When our snowbirds fly back from the sunny Southwest, they bring memories of the desert in bloom and lovely cactus flowers – coincidentally, the theme and flower for the Brazilian dimensional embroidery guild, BDEIG, in 2016. Jenean captured a photo of cactus in bloom on her doorstep as she was leaving to return to the Pacific Northwest. How better to remember it permanently than with floss! (Thank you, Jenean, for granting permission to publish your photograph.)
 
I'm sharing a free design, but first I'm going to write here about how I used the photograph as a "pattern" to make a simple embroidery design before adding some of our favorite dimensional stitches. I started by copy/pasting this photo onto a Word file. The photo was sized to 3" x 3".

I used some of the simple 'shapes' under the "INSERT" command -- the oval, 12-point star, circle, and lightning bolt and arranged them over the photo in white so they would show up against the dark background.
          I added a square 'frame' around the photo and "grouped" everything together, then deleted the photograph image. Next, I turned the lines to black so I could trace the design onto fabric.
          Almost any fabric works for Brazilian embroidery although many of us like Blazer poplin, a poly-cotton blend that is a bit heavier than other fabrics. But for this design, I thought a fancy fabric that reminded me of Southwest locales (where I have been only in my imagination) would be fun. Weavers cloth is a nice cotton blend. The white weavers cloth looks like linen, but doesn't shrink and is a delight to needle.
          There is also a weavers flax that looks unbleached and has little brown nubbies running through it. That's what I used (because I had some). This is similar to Osnaburg fabric (all are available at JoAnn stores). If I had a batik or other fabric that looked like a Southwestern sky, I might have used that. Anything works! (I even thought about pulling out my fabric crayons and coloring in a few horizontal sky lines in those glorious Southwesty colors!)
 
Here's the traceable pattern; the corners are 3" apart if you need to resize:
If you have a metal tip (lt. turquoise blue) LePen by Marvy (available at Amazon and probably also available from your local B.E. merchant), you can easily trace the pattern. The Marvy pens are filled with blue wash-out ink, so the lines will disappear on laundering. You'll see that I added a few curved lines for the cactus ribs.
 
Now we are ready to stitch. Here's the floss that I used, but feel free to substitute with dye lots and colors you like:
          Iris, shaded green #040, light yellow #114; 
          Cire #143 (light mulberry) and #218 (light fuchsia; one full skein);
          Boucle #008 (light yellow) and #303 (over-dyed rose/gray/green). 
 
You'll also need 2 darners, an embroidery or #3 milliners needle and a sturdy pincushion for the drizzles used to stitch the upper flower petals. 
Iris 040. Stem stitch all cactus ribs. Add some horizontal straight stitches at the left side of each blossom center to add depth/shadow.


 
Boucle 008. With a darner, add tiny Boucle straight stitches equidistant along each cactus rib. Bring needle up on one side of a stem stitch and go down exactly across on the other side. Where the lines meet at the center top, make a small "star" of straight stitches to 'join' the ribs together.
--or you could make French knots. But the Boucle already does all the hard work for you!
 
Cactus Blossoms - Cire 143, 218. Iris 114
[It's a good idea to use a darner when working with Cire.]

The cactus blossoms are made with reverse lazy daisy stitches - 12 of them - for the background petals. These are in a darker color.
The 12 dimensional petals are made with drizzles in a lighter color.

Make the background spikes with the darker color using a reverse lazy daisy stitch. Offset the [A-B] points to taper the stitch:
Next, change to the lighter-color Cire. Pull two strands of floss. Knot each strand on one end. Use the darner and bring one strand up next to the flower center inside the lazy daisy loop. Repeat with the second floss strand, bringing needle up inside the next lazy daisy loop area, as shown on the center diagram below:
Place two darners next to each other and between two lazy daisy stitches (See third diagram above). There really are ONLY two darners here -- ignore the shadows on the photograph below. I was focused on the stitching and not the camera's behavior.
Even though the above photo doesn't show it, I think I had those two darners between the lazy daisy stitches.
Now you will add 12 double cast-on drizzle stitches around:
Double cast-on 6 sets of loops (6 loops on each side of the two needles).
Remove one needle and double cast on 2 sets of loops (2 loops on each side of needle).
 
        [I'm going to interrupt myself here to share a couple of handy-dandy tips.]
 
The firm pincushion is a big help when making drizzles, but sometimes those needles like to cross as you work. If you slip a pin or another needle between, they will keep their distance, as required.
But it works even better if you have both darner eyes next to each other - this will keep the needles where they belong:
 
To finish the petal, rethread the darner with both floss strands. Remember to insert a pin through the outer loops as you finish the stitch. This avoids those annoying knots and kinks as you pull the floss through the center of the stitch.
It's also helpful to keep that pin in those outer drizzle loops - you can "size" the drizzle to the length you want. Here I extended the stitch to match the spokes below:
Now you are ready to make the next drizzle. Begin by bringing the needle up
inside the lazy daisy loop AND through the lower (first) drizzle loop. This will help adjust the width of the drizzle, but it will also connect all of the top petals, make them stand upright, and avoid any gaps between petals. See:
I kept that pin in the outer loops so I wouldn't accidently pull the 'petal' down. You could also knot off after each stitch, but life is short; time's a-wastin'...
 
Iris 114. Edge the center of each cactus blossom with 1-wrap French knots. Add 3, 12-loop up-down drizzles as stamens. (Thanks, Loretta Holzberger of Loretta's Custom Stitchery for this tip! Up-down drizzles keep the stamens upright.)
Boucle 303. Add ground/soil/gravel with straight stitches at the base of the cactus. Cut floss as needed to work with the colors you want.

You can decide to frame your finished embroidery if you like, or you can use it for a fabric postcard or a patch on a crazy quilt, or add it to a wearable item.
I'm also writing a bit about this design on the Facebook group, Brazilian Dimensional Embroidery. It's a great place to visit and share our work, and I hope you can all join the fun over there, too.

          In addition, this design will be published in the August issue of the BDEIG newsletter, The B.E. Wrap-Up. As I wrote earlier, the BDEIG theme for 2015-16 is "Cactus Gardens" and the flower of the year is the Cactus Blossom. Here's mine, all finished:


Speaking of cactus, I discovered a few years ago that there is a cactus called the "Old Man Cactus". So he wouldn't be lonely, I made up a design I named "The Old Man Cactus and the Sweet Young Thing Cactus". Because I sign and date my embroidery, I see that I designed this little piece in 1997. (I'm also including a photo of how I decorated the frame with a strip of ribbon tape.)   Here's a picture.
This 3" x 5" design is framed in a pseudo-pshadow box. I used my acrylic paints to paint the inner frame and the outside.
I also found a piece of ribbon tape trim, which I glued to the outside.
Cuthbert thought it was nice. My friend Erin crocheted these little towelettes for me, but I discovered I have to hide them from The Cat.
Now and then, Cuthbert speaks:
"I am Lion; hear me Roaaaaar" . . . .
 
...and because I probably just don't have enough pictures here -- the other evening I was stitching and drawing pictures out on our deck. It was still in the 90's, but felt good. I looked up and across the yard saw my pink campanula happily blooming away. So I picked up the camera. (Guess what entertainment you'll get next -- lots of flower photos!!!)
I hope you enjoy the free Brazilian dimensional embroidery design I'm sharing today.  Happy Fourth of July!!
Rosalie

 
 


                   






 
 
 




 

Saturday, June 13, 2015

Let's Get This Brazilian Embroidery Show On the Road

Didja miss me?? 
     I think my life is starting to settle down and I can get back to what I enjoy most -- more Brazilian Dimensional Embroidery.

I'm busy re-sizing photos because almost all of my gigs are used up on this computer and hubby says that I really have enough (he's probably right, but it means I need to re-size.  Hmmm, after I get finished with photos, I might start with myself ...the re-sizing, that is.  ho. ho. ho.)
These Brazilian embroidery designs are from the book My LadyFlowers (by myself, Rosalie Wakefield). As a side note (or blatant commercial), I have the book here on my website, www.Millefiori-BE.com, also at Amazon.com.

This photo is one of the "Pearls". It is named "Bo and Sno and 7 Little Dwarf Stars".  Yes, Little Bo Peep, Snow White with 7 little Star-Fills added to brighten their sky. The border is a popular edging technique I call "Scalloped Lace", although it's basically just a series of running cast-on stitches.

OK, now I know the details are the most interesting part our B.E. stitching. The focal flower, named Snow White, is inspired by osteospermums in my garden (although they don't last nearly as long there, as they do on fabric. With floss.) and is stitched with a technique I've named the Shadow Drizzle.

I added the String of Knots to make Little Bo Peep, peeking out from behind Sno, and stitched leaves with the Reverse Fly Stitch and the Backwards Leaf, and then I added vines with Automatic Couching.

You can see little sparklies - beads, sometimes metallic threads - in these designs because other fibers, beads, buttons and whatever we find in our stash (like crazy quilters) is such a natural companion to the lush rayon floss we use.
My Millefiori design instructions are all written so that rayon can be used for the embroidery, but as needle artists, each of us can change anything we like. Substitutions are fun and make these designs truly our own work.

Oh, yes, for sure ... I capitalized the names of all of these stitches. My LadyFlowers was written during one of my "experimental" stages ...playing with my floss to see what would happen, and then giving it a name. So this is really an advanced book for the adventurous stitcher who can also become "The Boss of Their Floss". I hadn't seen many of these techniques/stitches anywhere else, so I gave them each their own personal name. This is a picture of the other "Pearls":
Well, I'm back into my computer to do more re-sizing and sharing -- there are 80 "new" - at the time - floral designs in My LadyFlowers.
I'm also sharing these photos on Facebook, where there is a group named Brazilian Dimensional Embroidery, and everyone is sharing all of their beautiful work. If you aren't already on the group, FB or email me your addy and I'll send you an invite. It's a really friendly group, and everyone helps everyone else. --another nice place to B.E.
Rosalie
P.S. Website will soon be updated -- I have a couple of new designs to share with you.

Monday, March 16, 2015

Happy St. Patrick's Day

Happy St. Patrick's Day!
"A best friend is like a four leaf clover
--hard to find and lucky to have."
--Sara Jessica Parker                                        
 
Brazilian dimensional embroidery.  This Millefiori design is named "My Wild Irish Rose" and was featured in a back issue of The B.E. Wrap-Up, newsletter of the Brazilian Dimensional Embroidery Guild, Inc.  A pattern with instructions is still available in the B.E. Ed Projects Book (available here). Look for a second Ed Projects book soon -- these books are loaded with teachable, traceable B.E. designs.
 
And while we are enjoying ourselves on this fine March morning, here is another of my Brazilian embroidery designs named "The Celtic Rose". It's great practice for making perfect bullion stitches and it's available in the book My LadyFlowers by Rosalie Wakefield. The Lacy Chain border was also an idea for a frame that I had a while back.
Thank you for listening to my commercial. Here's an entertaining suggestion I found on Pinterest that you might enjoy.
 
Have a great day - thread up a needle, Go Forth and Stitch.
--Rosalie



Thursday, February 12, 2015

Happy Valentine's Day!

Happy Valentine's Day to all! This is one of my early Millefiori designs, #830 "Mice, Twice".  Yes, there ARE mice.  Twice.  I finished this 6" design in a Wilton Cookie Cutter Heart, and it's still one of my favorites, although it's out of print at the moment.  Enjoy!  I hope you receive lots of chocolate.   And floss....
 
I'll try to not be a stranger here; will write again soon. I promise.

Rosalie

Thursday, December 18, 2014

'Tis The Season . . .

Santa
Freeform bead embroidery that I did a while back - I'm sharing again in the spirit of the season, so go over and pick up a Christmas cookie (or two) and enjoy the eye candy that follows.

I began this project with a flat-backed ornament. Then I went to the craft store where I purchased craft felt (stiff and about 1/8" thick, a perfect embroidery base). I glued the big fellow down and went in search of beads, buttons, trims. As an equal-opportunity bead artist, I use plastic, glass, buttons, beads, anything left over from another project.

Using a variety of beading stitches (mostly backstitch and couching), I started adding beads. Usually I'd start with a focal bead or button and then surround it with more.  And more.  I tried to fill up all the spaces.
Emmy thinks I am preparing treats for her, and she waits patiently.
 
But I continue snapping pictures:
 
 
By the way, this is a good place to use those old earrings you saved somewhere. If you can't stitch them down, you can glue them down, or you can use tiny beads to encircle them and hold them in place.

When you have finished all of your embroidery and you've filled all the spaces (so the craft felt won't show through), select some seed beads and backstitch a row or two around the entire project. Trim the felt as closely as you can without snipping bead threads. Use a Sharpie pen to color the edge of the felt that shows (if needed).
 
Next I purchased a wooden plaque at the craft store and some acrylic green paint (I just like the color green...).
I painted the plaque, glued the finished bead embroidery in place, and then I signed the back -- you can see how long I've had this one!

Of course, bead embroidery is addictive enough that you can't stop with just one - it would be like eating one "M" from the bag of M & M's.
 
So I found another little porcelain cabochon (a large button will also work). What you want is a "focal". I found Her Majesty and threaded my needle again!
I'm not sure where I found that little crown (probably in the "Don't Ever Throw It Out; You Never Know When You Might Need It" box that I have). I think it's from 1950, or thereabouts. 




Here are a couple more detail photos:
Some of these beads are from a bead show; a lot of the little flower and leaf beads are from Beadcats.com (press Czech glass - lovely stuff!), and the most fun was the little running shoes and her little dress-up heels. Her purse is also a glass bead, but I've seen handbag buttons at the fabric store, too.
As with the Santa embroidery, I found a wooden plaque and painted it; trimmed the embroidery panel and colored the edges with a Sharpie.
 
Bead embroidery is my total hobby - a great way for me to relax. But I love my JOB, which is designing and writing about Brazilian dimensional embroidery.  And that's my next project.  Months ago, I promised to write about a new wisteria technique that is perfect for other embroidered flowers, too.  I'll try to focus and do that next.   Focus ...   Focus ...  Focus....
 
 
Oh, wait.  I need to speak to Santa first!  I need Stuff.
Rosalie


P.S. By the way, if all of these pictures (15) don't show up for you, let me know (email). Blogger has missed me because I've been away so long, and they just don't know what to do with all of my goodies...